![]() It was important to me that the character feel small compared to the Tower. “With the 40mm, I can bring the Tower much closer to the character, and the Tower is still massive. “That’s a completely different perspective,” he says. In his tests, Boucard found that the 40mm Hawk65 and the Alexa 65 produced a frame roughly equivalent to that of an 18mm spherical lens in Super 35 format. With the 1.3x Hawk65s, I had more possibilities with the vertical angle.” “You have to get quite far back to get the whole tower in your frame, which in standard 2x anamorphic leaves so much room on the sides. It’s quite difficult to frame the Eiffel Tower, obviously because it’s very tall, and in the middle of many smaller buildings,” says Boucard. After extensive testing, he resolved this seeming contradiction by choosing to combine the Arri Alexa 65 large format camera with 1.3x Hawk65 Anamorphic lenses. Eiffel tells the story of why – and it has to do with a mysterious woman from his past.īoucard’s thought process centered on telling the story of the construction of a vertical edifice within a horizontal frame. But four weeks before the design contest ended, he changed his mind. In the mid-1880s, Eiffel expressed no interest in designing the Parisian monument, preferring to focus on Le Metro. The city's different states of emotionality will be archived and made accessible on the website.As a French cinematographer, Matias Boucard, AFC felt a special obligation on his most recent assignment, a prestigious feature film that tells the story of Gustave Eiffel and the iconic wrought-iron tower that bears his name. The tower is expected to stay in place for decades, making the visualization of the emotional states of different people on different streets in different neighborhoods especially involving. To further intensify the relations between all these elements, the tower will send prewritten love letters and flowers from "love addresses" to "hate addresses," and at the end of each year the tower will present a 10,000-euro prize to the address with the highest emotions. They can also add a photograph and a short letter to the site these are linked to the landscape by means of a small clickable virtual flag. Each night, driving through Doetinchem, one can see which emotion is most deeply felt that day.įinally, under the tower, inhabitants of the city can also place their own messages on the emotional landscapes on the website. Second, the four emotions are represented by four colors, green, red, blue and yellow, and determine the colors of the lamps illuminating the building. The landscapes will show the valleys and peaks of emotions for each of the city's postal codes. Every month the questions become more precise, and the answers are graphed in different "landscapes" on the website. Serafijn, which deals with everyday emotions like hate, love, happiness and fear. The website is a visual representation of the inhabitants' responses to the questionnaire, written by the Rotterdam-based artist Q. The building is related to the website and to the questionnaire, and the last two are in turn related to each other. This surface is very similar to a Gothic vault structure, in which columns and surface share the same continuum. The building, designed by NOX, is a 12-meter-high structure in which standard and non-standard geometries together make up a complex polyester surface formed by a computer-generated molding technique (CNC milled styrofoam). All three parts are interactively related. The project - which will be built in the city of Doetinchem, the Netherlands, by early 2003 - consists of a physical building (the tower), a questionnaire and a website. It is a project in which the intensive (feelings and qualia) and the extensive (space and numbers) start exchanging roles, in which human action, color, money, value and feelings all become networked entities. D-tower is a coherent hybrid of different media in which architecture is part of a larger interactive system of relationships. ![]()
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